Overview
The building took two and a half centuries and is Renaissance where Gothic was planned, with a barrel-vaulted interior of unusual height and light. Records show funds set aside for the second tower were diverted in 1782 to support the American colonists against Britain — a story the cathedral itself now tells. The choir stalls by Pedro de Mena, carved in the 1660s, are the finest thing inside.
Highlights
Pay for the roof tour: you walk the vaults on the outside of the barrel and see the unfinished tower from above. The stalls need ten minutes on their own — forty saints carved in mahogany and cedar by one man. The cathedral square is one of the few shaded sitting places in the centre in August.